Natural light is, by far, my favorite light to shoot in. Whether it’s indoors or out, it offers an unparalleled beauty that is difficult to replicate. But just like anything in photography, it comes with its own set of learning curves. Let’s cover a few natural light mistakes I’ve made in this journey of understanding how to use natural light.
No.01Mistake #1: Abundant Light
Is there such a thing as too much light? I mean, who doesn’t love those light, bright, airy spaces that show up in magazine spreads and all over our Instagram feeds? They are gorgeous and oh-so inviting. In fact, several rooms of my home come aglow like that, as the late afternoon sunlight streams in. And while I LOVE living in those spaces, I don’t always love shooting in them.
The extra light can lend it’s own challenges to capturing a great image. The flood of light can be too much, reflecting off the walls, and lending to a lack of dimension and contrast in my subjects. When encountering a situation like this, make sure you don’t fall victim to flat light. You want to keep your subject in a place where you can see flattering shadows falling across them (they will be subtle but they need to be there), catchlights, and create depth with your surroundings.
This image was taken of my daughter in a room flooded with natural light in the late afternoon. There are subtle shadows across her body and I’ve created depth by shooting from a low perspective. This shooting angle allows the bedding in the foreground to blur a bit (creating depth) and the lines in the bedding lead the viewer to her.
So then, what do you do if you have too much light and can’t get the depth and dimension you need? You take control of your environment. If that means hanging up a few blankets or curtains to direct your light, then do it. I have some old blackout curtains in my hall closet that I grab and drape over my sheers when I need to make adjustments. They’re just quick temporary fixes if you can anticipate that this is the location where you’ll be shooting.
This location was also abundant in afternoon light. In anticipation of that, I hung blankets over the windows to help direct the light before I invited my kids in to dye Easter eggs.
This is my family, kitchen and dining room space. It’s one big open area, abundant in natural light. I had a clear vision of what I wanted my light to look like for that easter egg shoot. Rather than have my kids come right in, I took about 5 mins to set it up like this. I closed all the available blinds and pinned up these two curtain panels. I also moved the leather chairs side by side so my background would be a solid dark area and I wouldn’t be able to see the fireplace in the far corner. The pocket of light that was created is where I set up the dying materials. I programed my camera settings and then called them in. I did most of my shooting from behind the bar seating at the counter and standing on one of the barstools to shoot from above them.
But what about those impromptu moments that arise that you feel compelled to capture? Does that mean you need to rearrange everything to get that light “right”? No. Of course not. That’s not realistic for most people. I’m absolutely certain my kids won’t pause to let me readjust the lighting and then resume play as normal. And that brings me to my next point.
No.02Mistake #2: Being Afraid to Get in Close (and knowing how to expose properly for it)
In the moments where I can’t anticipate where my kids might be playing and have the setup ready, I do one of two things. I either crank my ISO up in low light because I would rather capture the moment and deal with a bit of noise than not have captured it at all.
Or, if it doesn’t impede on their moment, I find myself steering their playtime towards a nearby light source. Often, I will try to get them playing close to our windows in the family and living rooms. Or, if they’re in a low-lit area in the house, I’ll quickly open the blinds/curtains closest to them. Sometimes, I will stand back and wait for them to enter pockets of light which creates a completely different and isolated story.
Here, my son was upset about something and sat down to pout in this beautiful pocket of light. It effectively isolated him and made the story completely about him and his feelings in that moment.
If you look at my work, you’ll see that I often prefer to have the light to the sides of my subjects. I do this because it creates beautiful contrast and shadows on their faces. The closer the subject is to the light source, the more contrast it creates. The highlights get brighter and the shadows darker. As they step further from the light, it becomes more diffuse and softer.
The big key here is to be mindful of you settings depending on where they are and be ready to change them quickly if they move. You’ll need to re-expose for those highlights so you don’t blow their skin (if they’ve suddenly moved closer to the light) or risk completely underexposing the image (if they’ve moved further away from the light source.)
No.03Mistake #3: Mixing light sources (natural and artificial)
Mixing light sources will often take place inside, although you can occasionally have it happen outdoors (with street lamps, headlights, etc…). If you’re not lacking in natural light and you have the option of controlling your indoor lights- TURN THEM OFF!
It’s better to bump up your ISO a bit to compensate for the lack of light than to miss the shot. And if you can get it right in camera, you won’t waste your time trying to fix things later in post processing.
There are also a couple of problems you will encounter if you leave on those artificial lights. The first is from overhead lighting, which will often cast unsightly shadows down your subjects face. The second problem is finding proper white balance. To put it simply, each light source, whether natural or artificial, gives off a temperature of light. It can either be a cooler (blue), neutral, or warmer (yellow) shade of light.
With natural light- golden hour is obviously warmer, whereas midday is more neutral and dusk is cooler. The lights in your home can (and probably do) vary as well. If you know that you need to use those extra indoor lights regularly, opting for neutral daylight bulbs (rated at about 5000 kelvin) may be a good option for you. Keeping your artificial light color consistent will end up saving you time later in post processing by allowing you to create simple temperature gradients to balance the color throughout the image.
This is an unedited, straight out of camera image, with both natural and artificial light sources. It is subtle here but you can see the warm light coming from behind her and the cool shaded light coming in the window.
No.04Mistake #4: Missing the catchlights
“Her eyes sparkle because she sees magic everywhere.” – Unknown
Ah, that sparkle in the eyes. They are called the windows to the soul for good reason. Without those catchlights, the eyes come across as flat and lifeless. A simple fix here, is to have your subject turn to face the general direction of the light, until you see that beautiful glimmer shine back at you. If you’re uncomfortable with directing your subject and prefer to be more of a quiet observer, then I would encourage you to be patient and wait until you see that sparkle appear to take your shot. Whether you “catch” those catchlights can make or break an image.
Images taken with my daughter facing different directions; Left- no catchlights. Right- with catchlights.
No.05Mistake #5: Avoiding mid-day sun
This is the age old photography advice and while it’s definitely not the preferred light for most natural light photographers, some people thrive in it! Shooting midday won’t give you those light and golden images, but they do hold a beauty all their own. The colors come across deeper and richer. The shadows are edgy and fun. Plus, you’re not limited to shooting first thing in the morning or at the end of the day. If you’re not already venturing into the daylight, I encourage you to get out there and try it.
Shot in full sunlight at my son’s 12pm soccer game
No.06Mistake #6: Blocking your light source
A simple piece of advice (and one that I’m embarrassed to admit was too often my rookie mistake)… Be mindful of where your light is coming from and try not to get between it and your subject. In most cases, the light should NOT be to your back. During golden hour especially, you’ll cast long shadows either across your subject or into the frame. Sometimes they work (for shots of my kids, in an “I was there too” type of way) but more often than not, they will detract from your scene.
An accidental “I was there too” shot with my girls. This was shot at morning golden hour with the sun to my back. See how long and invasive the shadow is? Oops!
No.07Mistake #7: Experimenting/Playing
As helpful as these tips may be, they’re just that- tips. In art, it’s equally important to get out there, bend the rules and play! Look for the subtle things that make the light even more beautiful. The dust floating in the streaming light, both indoors and out, creates a magical effect. Take that f-stop up and create starbursts.
I’ve yet to personally try these suggestions, but I have seen beautiful work created with the use of steam, fog machines, and even baby powder to catch the rays of light inside. Get outside and play with light in different weather conditions. Fog creates a dramatic and moody environment. Don’t let the rainy days stop you! Backlit rain is beautiful and sparkles in the sky. (At the time of this publishing- you can get a fantastic rain cover on Amazon for under $15). You can even use artificial light to help enhance your story. Things like flashlights, a tablet, or a nearby lamp can help illuminate your subjects in an otherwise lowlight environment. The list of new ways to play is endless, if you can think of it, then you should try it!
They were using artificial light here which enhanced the mood and story in an otherwise extremely low light situation.
We all see things differently which makes this medium exciting and full of potential. Have fun, get out there and show us how you see the world!