with Courtney Slazinik
How to Master Low Light Photography
Lifestyle, Light
How to Master Low Light Photography

Do you find yourself putting your camera away when there aren’t windows full of light spilling into a room? Low light photography may seem intimidating but actually it is fun to embrace the shadows and shoot in different light conditions.

Updated: May 16, 2019. This post contains affiliate links. 

child shoes in light surrounded by shadows in low light room

Low light photography is so much fun and isn’t as intimidating as it may first look. My first exposure to shooting in low light came about when I was shooting daily for a 365 project a few years ago. I would forget that I hadn’t taken a picture for the day and would freak out when I had nothing but darkness to shoot in. Or even worse, artificial light. Here’s how I would embrace the indoor natural light photography when I had it.

Sanford Buddy-4-Edit_CIUAN

 ISO 3200   f/2.8   1/20 (iPad light)

How Do I Expose for Low Light Photography?

This part really freaked me out. When I was studying low light photography images, I saw an image that looked as if it were exposed perfectly for that particular lighting situation.

Using technical terms, the image appeared “underexposed” so that the image SOOC (straight out of the camera) would match what the naked eye could see. The image of a subject in dim light had the surrounding areas cloaked in darkness too.

To underexpose or not?

It took me a minute to realize it, and I’m pretty sure the instructor had to explain it to me more than once, but that isn’t exactly how low lighting imagery works. I’m sure people do shoot in that way and it may work well for them, but for me, it didn’t quite work that way and it took doing for it all to actually click.

And it was very confusing for me to see an “after” image and imagine the way that it was actually shot. Or maybe I just have a thick skull. Either way, I’m going to try to put it simply. Shoot as if your are shooting in day time! And for those of you who need a visual (like me)…here is a before and after to give you a better idea.

child snuggling animal on chair with windows behind him

Use the light you have available

When we first start photography we are looking for bright airy spots to take our photos. We focus on rooms full of light and don’t find the joy in the shadows. However, as you grow in your photograph you will notice that you may be drawn to shadows and low light situations.

I look for pockets of light and sometimes will ask my subject to hop over to those little pockets. Embracing the shadows in shooting in low light can tell a very different story than a brightly lit image.

bowl of food in window light on chair in low light with lots of shadows

ISO 560 | f/3.2 |ss 1/125

Low light photo examples

Sleepy Bray-4_CIUAN2

And because I can never choose between color and B&W. :) Here are both!

Sleepy Bray-4_CIUAN_BW

Here is another SOOC. The scene is a bit darker than the previous image. I shot with a wide aperture to capture more light. I was standing on the crib, I believe for this shot, so I kept my SS a little faster because I was doing a little balancing act to get this one.

Sleepy Bray-5_CIUAN

This is the final image and more like what I had envisioned when shooting the image.

Sleepy Bray-5-CIUAN

How to adjust settings for low light photography

So, when I said, shoot as if it’s daytime, I mean shoot normally! Nothing has changed other than the amount of light in the room.

Is your subject a person? Spot meter off of the skin and expose how you normally would. The SOOC shot may look nothing like how it looks to the naked eye, but it will be properly exposed. Using the Zone Method, and spot metering, that would be placing the skin somewhere around +1 for a caucasian subject. Notice how the before images are much brighter than the after images.

Expose the image properly

Exposing the image properly in the beginning will give a much better end product. I also tend to expose to the right in any given lighting situation, which is really slightly overexposed. More often than not, I bring exposure down in post processing even in normal lighting situations.

By doing so, I am packing as much information as I can into the raw file so that I have more to work with when I edit. This is doubly important when shooting in low light. Remember, you can always bring the exposure down without losing information. Brightening an underexposed image will result in lots of grain/noise. And not the pretty kind.

By exposing as you normally would in a much brighter lighting situation, you are protecting your skin tones and decreasing the amount of grain overall in the image.

Watch your shutter speed

The amount of lighting in the room looked pretty close to what it looks like in the final image. I overexposed in the SOOC shot to minimize the amount of noise. You’ll also notice that I use a slower shutter speeds when shooting in low light. I’m aware of that, and do keep an eye on the shutter speed. Test your own limits and know how low you can go without camera shake.

If you need a faster shutter speed, that’s okay! I could have bumped the ISO to 6400 and in turn moved my shutter speed to 1/40, but honestly it wouldn’t have made much of a difference either way. I am pretty steady at slow shutter speeds, my subject wasn’t moving, so I made a decision to choose decreased noise over a slow shutter speed.

Keep an eye out for unintentional motion blur when using a slower speed and photographing children.

Children can also benefit from this fun skill, read more: Photography for Kids

Raise your ISO

If you find that your shutter speed is too slow, less than 1/100 and you are creating camera shake or motion blur you can always raise your ISO to allow you to use a faster shutter speed.

children looking in store window with low light from evening walk

ISO 1600 | f/3.2 | ss 1/320

Download this FREE manual mode cheat sheet!

Adjust your White Balance

Again, shoot as you normally would! Consider your light source. Do you use Kelvin? Dial in the correct temperature and shoot away. I use an ExpoDisc the majority of the time. I set my exposure, cover the lens with my Expodisc, point my camera toward the main light source and set a custom white balance (CWB).

Now, I’m ready to start shooting. Setting a CWB and exposing skin properly will give beautiful skin tones, even in low lighting. If your image is underexposed, your skin tones will likely be a mess, and require more time in post processing. Okay, this image probably isn’t the best example of skin tones, but this was a creative choice to maintain a warm glow due to the candle light.

Delia 5th Birthday-3-CIUAN

ISO 3200  f/2  1/100

Here’s another example

child walking up castle stairs in low light

ISO 3200 | f/3.2 | SS 1/1000

What about Grain or Noise in Low Light Photography?

The best way to minimize grain is to ETTR (expose to the right). ETTR simply means overexposing, and checking your histogram and blinkies until important areas in your image begin to blow. Next, take the exposure down by 1/3 stops until those areas are protected (or not blown but on the verge of blowing).

For example, if exposing for skin, overexpose until the brightest area of the skin has blinkies. Then bring exposure down by 1/3 of a stop at a time until the skin is not overexposed. The image on your LCD will likely look brighter than the image you are envisioning as an end product, but this technique will help minimize grain as much as possible.

Bray Pack and Play-9_2_CIUAN

ISO 5000   f/1.8   1/100

Editing for low light photography

Editing for low lighting photography also threw me for a loop. Seeing a properly exposed image that appeared as if it was taken in a much brighter lighting situation made it difficult for me to “see” the image that I had in my head while actually recreating the image.

But, really, in Lightroom or Photoshop is where the magic all really happens. So in this image, I exposed for my son’s chest, the brightest area of the image. I used my ExpoDisc and did a CWB off of the lighting coming from the bathroom (very yellow). There was a little bit of ambient light coming in from the windows in the room. The difference in the lighting temperatures caused the door to look really blue, as well as the shadows in the SOOC image.

Notice how you can see the grain in the SOOC image. When I bring the exposure down, the noise/grain is much, much less noticeable. This is an example of how ETTR can minimize noise in your images when shooting in low light.


Bray Low Light-11_SOOC_CIUAN

Experiment with your editing

Don’t be afraid to lower the exposure. That sounds like a really silly statement, but I had a hard time pushing the image in the direction that it needed to go. Now is the time to make the image look as it did the eye (and better). Lower the exposure until it looks more like you had envisioned. Then play with the tone curve to even further your vision. I tend to deepen the shadows even more and brighten the lights a tad for more contrast.

While still in Lightroom, I decreased the exposure to look more like I had imagined. The white balance is a mess from the mixed lighting, so I decided not to change that and instead convert to black and white. Once in Photoshop, I cleaned up my background using the clone stamp. Next, I played with a curves layer until I liked the contrast of the image, added a matte finish in levels. Last, I sharpened and saved.

Bray Low Light-11_CIUAN

Beware when sharpening a low light photography image. Due to the nature of this type of image, especially if if hand held and relative short exposures, there will likely be some degree of noise/grain. Sharpening the overall image will accentuate that. I choose to only sharpen select areas of the images. In this one, I only sharpened his shorts.

Bray Low Light-33_CIUAN

Avoid trying to change what the image looked like

As I mentioned above when you are starting out you want bright photos. I have been guilty of editing an image in post processing to look brighter than it was when you took the shot.

Part of embracing low light photography is carrying out from start to finish. That means exposing properly all the way through to editing it for the light you had.

It will take time for your eye to get used to seeing your images appear “underexposed” but that isn’t really the case because as long as the areas that the light hit are exposed properly you don’t need to worry about the shadows.

Below is an image of an example of a low light situation where I could have bumped up the exposure in Lightroom to make it look like this was shot midday but it wasn’t. I wanted to keep the feel of the sunsetting and the mood of the image as it was shot and intended to be seen.

Read more: Easy Steps to Create a Starburst Photography Effect Day or Night

starburst from setting sun on sail boat

ISO 1600 | f/14 | ss 1/640

Hopefully I have answered some questions about low light photography. Leave any additional questions in the comments and I’ll do my best to answer them!

Best lens for low light photography

Since you are shooting in low light which means you will need to adjust your settings accordingly it’s important to be shooting with a good lens for low light photography.

I don’t recommend the kit lens that comes with your camera because the aperture only goes as wide as f/3.5. That usually isn’t wide enough to bring in as much light as you need. I don’t worry about the focal length as much as I do how wide the aperture can go.

For this reason, I recommend shooting with a fast lens and by that I mean one with a smaller aperture number. Look for a lens that can go as wide as f/1.8 like the 50mm 1.8 or 35mm 1.8. I personally love my Sigma 24mm 1.4 as well. If a lens that goes as wide as f/1.4 is in your budget go for it. It will bring in more light and will help you get a properly exposed image.

Read more about low lighting photography

Creating dramatic light in small places
Dramatic lighting: Start to finish
6 Tips for night photography

Free Lightroom Presets

Learn how to master low light photography with this easy to understand tutorial!
  • Amber
    September 27, 2013 at 9:22 AM

    Wow. This is completely mind blowing! GREAT article. I have always seen these amazing low lighting shots and I thought those photographers had to just sit around with a tripod and a super long exposure to make those happen. I had no idea. Thank you so much for explaining this to me. I love the look and feel of those shots but I have never been able to match my end result with the vision I have when shooting. They are always underexposed and grainy because I was trying to create that moody feel in camera instead of exposing for the lighting situation that was available. Thank you, thank you!

  • September 27, 2013 at 10:38 AM

    Ah! Laurie! I’m so glad to see that you are the guest blogger! I have always loved the style and mood of your pictures; and I’m so happy to get some of your tips. :)

    • September 28, 2013 at 10:21 AM

      Thank you so much! Thank you for your sweet comment :)

  • September 27, 2013 at 10:41 AM

    Oh, I loved this article. I didn’t exactly understand everything but I’ll definitely be practicing and rereading it. Thank you so much for sharing!

    • September 28, 2013 at 10:21 AM

      Let me know if you have any questions! I’ll do my best to explain it better!

  • September 27, 2013 at 11:29 AM

    I don’t think mine goes to 6400… wait yes it does. It doesn’t have 3200 tho… hmm. Gonna have to play with my camera and see what works. YAY for newbie toys~

    • September 28, 2013 at 10:20 AM

      Different cameras max out at different ISOs and have different steps in between. Full frame cameras actually max out around 128000!!! (but doesn’t necessarily yield a great image) :) Give it a whirl!

  • Sarah
    September 27, 2013 at 12:36 PM

    Thanks for this post! I enjoy shooting in low light, and ETTR makes sense and is something I will have to try. I also appreciated the advice about not sharpening the whole image. Thanks!

  • Genevieve
    September 27, 2013 at 12:41 PM

    Thank you for this article. I just had a Ah ah moment last week. Im a low light photography lover too! Im going to use those tips and im very excited about winter coming soon this years because im not affraid of low light anymore!

  • Jeannie
    September 27, 2013 at 2:20 PM

    Which class was the one you took at CM that inspired this line of thought?

  • September 27, 2013 at 9:35 PM

    Thanks for sharing! This is some really great information!

  • Angie
    September 28, 2013 at 2:31 AM

    My biggest problem is focusing in low light situations. My camera seems to really struggle with it. Any suggestions, other than just good old fashioned manual focus?

    • September 28, 2013 at 10:12 AM

      Good question! I should have thought to add that! Cameras do have a hard time finding focus in low light situations. While, I do at times use manual focus, most of the time I have pretty good luck with autofocus. Look for an area of high contrast. The more contrast, the easier it is for the camera to lock focus. Certain focal points are better for focusing too. Check out your camera model and look in the manual or online to see which focal points are crosshair focal points. Those are the strongest focal points and can lock focus much easier. The center focal point is usually a cross hair focal point. Lastly, I have found that different lenses are better than others. I know that my 105mm searches a good bit, while my 50mm and 85mm are much faster at focusing. So, trying out different lenses may help too. Hope this helps a bit! I might go back and add this question back into the original post.

  • Liz
    September 28, 2013 at 12:00 PM

    Love this article Laurie!! Low light is one of my favorites!! And these shots of yours are ah-mazing!! (as usual)!

  • Mary
    October 18, 2013 at 1:14 PM

    Oh my gosh this blew my mind! LOL I’ve been struggling lately with really feeling my photos are very flat and “meh.” Not to mention the grain. Ghastly. But after reading this, it all “clicks!” (Yeah, I went there lol) … Awesome article – thank you so much for sharing!! I can just feel it – this was exactly what I needed right now! Once again, Click It Up A Notch rocks my world! ;-)

    • October 18, 2013 at 3:07 PM

      Thanks for your comment Mary! You made my day. I love helping people discover new things :)

  • Lexi
    December 6, 2013 at 9:38 PM

    Hi Laurie,
    Great post! I usually don’t go below 1/100 because my kids are so crazy, but in the shot down the hallway, the center child looks pretty sharp even though he’s moving, at 1/30. I am definitely inspired to try more indoor! One question about ETTR… I don’t want to sound stupid, but i think to the right on my camera is under exposing. I’m just wondering if I’m thinking of it wrong, or does the term come from traditional camera metering. Thank you so much!

    • Laurie Flickinger - Contributor
      January 31, 2014 at 4:12 PM

      HI Lexi! Sorry it has taken me so long to get back with you! ETTR refers to the histogram. Usually Nikon are factory set to over expose to the left, Canons (and most other models) to the right. So, that is where a little confusion can come into play. But the term is actually referring to how the image data looks on a histogram where you push as much data to the right side until important areas begin to blow. You aren’t confused ;)

  • May 6, 2014 at 3:14 PM

    This is really helpful. I had to read it twice to get a grip on it, and I think I will have to implement these tips for it to click. Thank you very much!

  • Vienna
    May 6, 2014 at 3:56 PM

    I love this info. I gave it a shot tonight in my son’s room and all the settings seemed to be right but the camera refused to snap the shot. Suggestions? I have a Nikon D5200.

    • May 6, 2014 at 4:35 PM

      Was there trouble locking focus? Sometimes you can’t snap the shutter if it isn’t in focus. Sometimes in low low light it may help to shine a flashlight or something brighter so that the camera has an easier time finding something to focus on….or you can give manual focus a try! :) hope this helps!

  • May 6, 2014 at 5:46 PM

    Thank you! This helps someone like me a lot. Lighting is very difficult for me. Thanks for sharing!

  • Sharli
    May 6, 2014 at 6:59 PM

    I didn’t read all the comments… So it may have been asked. But when you ETTR are you over exposing it under?

  • Shei
    August 5, 2014 at 10:15 AM

    Hey! This is great!! I love how you can touch upon “fears” that people have of certain settings, and make it seem more do-able :) it really got me excited and motivated to try and shoot in lower light settings!
    Would you by any chance have an article similar this about shooting in stark sunlight? The other day i was bu the water…no shade at all, and i was with my friends and the photos came out so bad!! They were way too bright and were all washed out and stuff :( it got me a little discouraged! But i thought id ask for your expertise and see if i can get some tips ;)
    Thank you!


  • August 7, 2014 at 10:07 AM

    Thanks for the post, great photos! I must practise more in low light situations! I love that you only have primes, they rock! Having a look at the 105mm now….

  • Melanie
    January 5, 2015 at 3:21 PM

    I am not sure if you will still respond to these articles or not but I found this article so helpful and inspiring. I am very new to photography and was so inspired by your article that I took my camera off Auto and started shooting in manual the first week I got it! So many options! I am having a little trouble with my camera focusing in these low light situations. I really want to capture my little 9 month old in his crib while he is sleeping but am wondering if my equipment just will not do it because there is so little light. Any suggestions? Thanks so much.

  • Bassy
    August 19, 2015 at 5:57 PM

    in which mode you take low light photography ?

  • Can
    May 21, 2019 at 11:56 AM

    Thank you for sending me as an email. It is really motivated article. I am definitely going to try.

  • April Farkas
    May 21, 2019 at 10:53 PM

    I really got a lot from this article but….what are blinkies???

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